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Placing the History of College Writing: Stories from the Incomplete Archive
Perspectives on Writing
Series Editors: Susan H. McLeod and Rich Rice
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New Books and MIT's Uncommon Sense by Barbara Fister. Inside Higher Ed. 29 Mar. 2016
In Placing the History of College Writing, Nathan Shepley argues that pre-1950s composition history, if analyzed with the right conceptual tools, can pluralize and clarify our understanding of the relationship between the writing of college students and the writing’s physical, social, and discursive surroundings. Even if the immediate outcome of student writing is to generate academic credit, Shepley shows, the writing does more complex rhetorical work. It gives students chances to uphold or adjust institutional codes for student behavior, allows students and their literacy sponsors to respond to sociopolitical issues in a city or state, enables faculty and administrators to create strategic representations of institutional or program identities, and connects people across disciplines, occupations, and geographic locations. Shepley argues that even if many of today’s composition scholars and instructors work at institutions that lack extensive historical records of the kind usually preferred by composition historians, those scholars and teachers can mine their institutional collections for signs of the various contexts with which student writing dealt.
About the Author
Nathan Shepley is Assistant Professor of English at the University of Houston, where he teaches undergraduate and graduate courses in Rhetoric and Composition. In addition to composition history, his specialization areas include composition pedagogy and ecological and neosophistic theories of writing. His articles have appeared in Composition Studies, Enculturation, Composition Forum, and Open Words: Access and English Studies.
List of Illustrations
1 Placing History, Historicizing Place
2 Customizing Composition: Students Broadening Behavioral Codes
3 Tracking Lines of Communication: Student Writing as a Response to Civic Issues
4 Composition on Display: Students Performing College Competence
5 Rethinking Links Between Histories of Composition
6 Composition as Literacy, Discourse, and Rhetoric