series

Prospects in Visual Rhetoric

Series Editor
Marguerite Helmers
University of Wisconsin, Oshkosh

The Series includes historical statements on visual culture, art, architecture, costume, and design, republished for the benefit of the modern reader with commentary by contemporary scholars. Prospects in Visual Rhetoric emerges in the scholarly publishing world to offer an opportunity for a new tradition to be forged, not so much to build a canon, but to rewrite rhetorical tradition from a visual perspective. It is our hope that looking backwards at significant writers and noteworthy essays will allow scholars in the emerging field of visual rhetoric to trace their history to the visual theories, critical commentaries, and scholarly studies of the past.

Reference Guides to Rhetoric and Composition

Series Editors
Charles Bazerman
University of California, Santa Barbara

Anis Bawarshi
University of Washington

Mary Jo Reiff
University of Kansas

Parlor Press and the WAC Clearinghouse

The Series provides compact, comprehensive and convenient surveys of what has been learned through research and practice as composition has emerged as an academic discipline over thelast half century. Each volume is devoted to a single topic that has been of interest in rhetoric and composition in recent years, to synthesize and make available the sum and parts of what has been learned on that topic. These reference guides are designed to help deepen classroom practice by making available the collective wisdom of the field and will provide the basis for new research. The Series is intended to be of use to teachers at all levels of education, researchers and scholars of writing, graduate students learning about the field, and all who have interest in or responsibility for writing programs and the teaching of writing. 

Renaissance and Medieval Studies

Editor
Charles Ross
Purdue University

The Renaissance and Medieval Studies series focuses on editions, comparative studies, translations, and reprints of primary texts of the Renaissance and earlier in Italy, England, and France. The series also offers an outlet for electronic distribution of supplementary material for each printed volume from art history, film, and the history of the book.

Rhetoric of Science and Technology

Series Editor
Alan G. Gross
University of Minnesota

The rhetoric of science and technology is a branch of rhetorical criticism that has grown rapidly since its inception four decades ago. Its initial focus was the texts of such well-known scientists as Darwin, Newton, and Watson and Crick. The field has since expanded to encompass important work on interdisciplinarity, the role of rhetorical schemes,  the popular meanings of the gene, the rhetorical history of the scientific article, the question of incommensurability, and the critical engagement with emergent technologies.  But this work and these topics by no means exhaust the field. Although the point has already been made that science and technology are in some sense rhetorical, the field remains open to new topics and innovative approaches. The Rhetoric of Science and Technology series of Parlor Press will publish works that address these and related topics:

Second Language Writing

Series Editor
Paul Kei Matsuda
Arizona State University

Second language writing emerged in the late twentieth century as an interdisciplinary field of inquiry, and an increasing number of researchers from various related fields—including applied linguistics, communication, composition studies, and education—have come to identify themselves as second language writing specialists. The Second Language Writing series aims to facilitate the advancement of knowledge in the field of second language writing by publishing scholarly and research-based monographs and edited collections that provide significant new insights into central topics and issues in the field.

Visual Rhetoric

Series Editor
Marguerite Helmers
University of Wisconsin-Oskosh

Visual culture studies and visual rhetoric have been increasing areas of emphasis in scholarly studies. Drawing on the work of a variety of theorists, from Kenneth Burke in rhetorical studies to Roland Barthes in semiotics, and addressing a wide range of subjects, from supermarkets to new media, scholars established visual cultural studies as a thriving and significant area of inquiry for the new century. The impetus for such study has been the awareness that Americans’ primary information sources (television and the World Wide Web) are strongly graphic (or visual) rather than print- or text-based in nature. This series will encourage scholars working in rhetoric, cultural studies, and communication to create new scholarly works that analyze visual phenomena. The intent is to assist in the development of a dedicated publication venue for visual rhetorical studies in order to establish coherence in what is currently a disparate discipline.

Writing Program Administration

Series Editors
Susan H. McLeod
University of California, Santa Barbara

Margot Soven
La Salle University

In the past few decades writing program administration has emerged as a field of inquiry, a field with its own national organization, journal, and conference. The Writing Program Administration series provides a venue for scholarly monographs and projects that are research or theory-based and that provide insights into important issues in the field. We encourage submissions that examine the work of writing program administration, broadly defined (e.g., not just administration of first-year composition programs).

Writing Travel

Series Editor
Jeanne Moskal
University of North Carolina at Chapel Hill

The Writing Travel series publishes work in the new field of travel studies.

The series publishes . . .

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